Where Matter Breathes

Jaimie Klum and Jenn Rowe

May 9 – June 6, 2026

Where Matter Breathes

Jenn Rowe  

The Watchers  2025,

driftwood, feathers, freshwater pearls, echidna quills, paper clay,

32 x 45 x 22cm

Where Matter Breathes

Jenn Rowe

Black Duck Fusion  2024,

duck feathers, ochre, paint, inflorescence, black crow shells, Gum Arabic

40 x 90 x 10cm

 

Where Matter Breathes

Jenn Rowe

Flying Perenti  2025

driftwood, native seeds, found feathers, ochre, acrylic paint

10 x 40 x 12cm

Where Matter Breathes

Jaimie Klum

FORM - Red series  2025,

repurposed industrial waste materials: Polyvinyl chloride (PVC) 

variable, approx 180 x 60cm. 

Where Matter Breathes

Jaimie Klum

Mass - Red series  2025,

repurposed industrial waste materials: Polyvinyl chloride (PVC) and stuffing

variable, approx 80 x 80cm. 

Where Matter Breathes

Jaimie Klum

Plastic Body  2025,

repurposed industrial waste materials: thermoplastic polyurethane coated nylon and stuffing,

approx. 150 x 80cm. 

Where Matter Breathes

Jaimie Klum

Blue Void  2025,

repurposed industrial waste materials: thermoplastic polyurethane coated nylon and stuffing,

approx. 150 x 150cm. 

 

Where Matter Breathes combines the practices of two Master of Visual Art and emerging artists from the Northern Rivers whose work explores the deep links between body, land, and spirit. Using sculptural forms, immersive installations, and transformative materials, Jenn Rowe and Jaimie Klum invite audiences into spaces where human experience and the natural world are closely connected. Working from uniquely different but complementary perspectives, Rowe and Klum explore how material, form, and environment shape identity, emotion and actions.

Rowe, a Trawlwoolway (Tasmania) artist of Anglo-Australian heritage, creates sculptural and assemblage works from what the land offers—driftwood, feathers, reeds, skeletal remains—transforming them into forms that echo animals, trees, rivers, and their spirits. Her works are a call to remember, protect, and return to a symbiotic relationship with Country. Klum’s interdisciplinary practice interrogates the shifting nature of the self through abstract sculpture and installation. Working intuitively with reclaimed industrial materials, sound, and projection, the work draws audiences into immersive sensory environments that engage with the unseen and unspoken landscapes of the human psyche.

Through the unexpected pairings of industrial and everyday materials, the artists' create tensions between seduction and unease, humour and vulnerability. These works invite viewers to become voyeurs into their own internal landscapes, where memory, desire, and the unconscious quietly shape our ways of being in the world.